Keegan stared blankly at Piper, his worn oxford shoes
absentmindedly tapping out the rhythm of a Cat Power song being played in the
restaurant. He had his long dark brown
hair pulled back into a pony tail meant to ape the look of the Spanish waiters
he had seen that summer while backpacking through Europe. Instead he looked like an effeminate version
of one of the Kings of Leon, his beard perfectly trimmed to the “slightly
scruffy” setting on his clippers that he kept in his well-appointed
bathroom. In his messenger bag at his
side was a used volume of Charles Bukowski poetry he would pull out when he was
killing time at local coffee shops. He
believed the choice made him look dangerous while at the same time vulnerable,
the ideal combination for the thrift store targets of his affections.
Piper sat across him and whined on about the delays in
finishing her installation at the pop up art gallery that had for two decades
been a wig shop. This was, of course,
until the recent gentrification of the area.
Though Piper and her equally trendy friends had made the rents sky
rocket out of affordability for the working class black families that had lived
there since the 1950s, she often lamented about the “grit” that was being
whitewashed from her neighborhood. Keegan
had great difficulty following Piper’s line of conversation, as instead he had
zeroed in on a remembrance of that night two months ago when they had clandestinely
“hooked up”. After numerous Yazoo Pale
Ales, he had lured her back to her apartment where he had spread her pale white
thighs on her roommate’s futon. With his
underwear caught between his hairy knees, he had humped her quickly like a high
school boy. Her eyes opened slightly in
surprise as he quickly started to come.
He buried his face into her hair as his spasms slowed. He slid himself and the full condom out of
her, the rubber sliding out like a slippery fish. After a few moments of awkward clean-up, Keegan
invented a reason to leave with a quick peck on Piper’s thin lips and an even
thinner promise to “call ya later”. He
could feel her texting criticisms of his performance to her friends even before
driving away in his battered Volvo.
They saw each other several days later at the bar where “everyone”
hung out. They both pretended nothing
had happened, a wordless mutual agreement that spared them both from having to
offer up flimsy explanations for what each one of them regretted. Quickly they fell back into their normal
social arrangement as if the episode was a dream. It could be difficult for Keegan to pretend
that he didn’t care about Piper or his overwhelming desire to go back into
time, make love to her with film star confidence, and feel her melt into him
like a candle . Instead he reassumed his
role of sounding board to hear her struggles to “evolve” and shoehorn herself into
prominence in the Nashville art scene.
Eventually Piper would purge all the details of her life,
and only then would she ask about Keegan.
Exhausted she would reach for her skinny vanilla latte and prepare
herself for the impossible task of giving someone else attention. The tables turned as Keegan would speak with
growing animation about the difficulty in finding a reliable drummer and the
intellectual decision to minimize his band’s “sound”. Piper would try to be engaged, but frankly
found his band boring as did most of Nashville.
She looked over his head to see if someone more interesting would walk
in. Eventually the conversation
lulled. There was an art walk
later. Keegan did not want to go, but
the promise of her dark red bra showing a slight shadow against the thin veneer
of her American Apparel t-shirt was too much.
He would get to the Bukowski book later.
Nice.
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