Well, we finally have a show in a couple of weeks. It has been so long since I have played a
show, 13 months and counting, that I am not 100% sure how to do it. My fear is that I will come off like some guy
at a wedding that had a high school band with the wedding party two decades ago. “C’mon!
You guys play one!” I awkwardly
climb on stage in an ill-fitting plaid suit coat and try to sing as the band
struggles through “Brown Eyed Girl”. The
assembled crowd feels embarrassed for me as I die a hundred deaths as I sing
that “tra-al-la-la-la” part off-key.
Later a drunk comes up to me and puts his arm on my shoulder in unearned
intimacy. “You guys didn’t suck as bad
as people are saying. You guys think
about getting back together?” He stares
at me expectedly slurping on his Coors Light.
I wince as I think about not remembering how to handle the
time on stage when I am not singing. That’s the
hardest part of being a singer, much harder than hitting the actual notes. What do you do with your hands when the guitar
player decides to take a second solo? You
ever see those rap shows? None of those
guys knows what the fuck to do when they aren’t yelling in the mic. It’s been over a year since I tried to come
up with stupid shit to do when I’m not required to do anything. I can practice I suppose, but it would be
very embarrassing to get spotted doing exaggerated Elvis moves in front of a
mirror. I am going to have to rely on
muscle memory.
I was thinking about this gig coming up with The Mortals. We haven’t played with those guys since
probably 1996. I have seen photos
circulating around a manuscript being written about Estrus Records and The
Great Garage Rock Gold Rush of the mid 90s-early 2000s. See above. That's me in 1994 watching Jack O Fire. I seem to recall being an established adult
male in the mid 1990s, but photos are presenting a group of very young guys that
maybe weren’t as cool as they thought they were at the time. It is very odd to be on the fringes of a scene
that is having a book written about it. It
must be how members of the Voidoids feel about the CBGBs days. A book about the 1990s underground garage
rock scene. Huh. We were just excited that some other dipshits
had the same ideas about what cool music sounded like as we did. It was a fun time to play music with an
honest to God scene that swirled around it.
We were always a bit on the outside looking in, but we knew the guys at “the
cool lunch table” and were invited to the same parties.
Here we are today. It’s all the same guys in The Mortals as in the mid
90s. It’s incredible that so much time
has passed and we are all still doing the same stupid shit to essentially amuse
ourselves and a small group of enthusiastic believers. The Mortals are without one key member
though, Steve the Tongue, their lead singer.
Steve was a wonderfully eccentric guy in a band of other sweet eccentric
guys. He came back to do a reunion gig
but spun out again after the rest of the guys decided to keep at it. Steve had some 1971 Elvis in his
presentation. If you steal, steal from
the best. I do the same thing. It will be odd to see the band onstage
without Steve, but early online reports are that it is working.
It hit me that there is a real opportunity here. Much like Van Halen and their ill-advised
venture with singer Gary Cherone, we should purposely make an awful record with
me fronting The Mortals called “Mortals III”.
Sure, it’s a tough break for those guys to have missed a big cash cow
like touring with a Sammie Hagar type singer, in our low budget rock world,
perhaps someone like Evan Dando or the guy from Reigning Sound. Let’s just agree that they missed their
sports arena touring days strictly because of bad timing on their lengthy
break. Now, they’re back! And what do they need? A terrible record with a shitty new lead
singer (ME!) to remind people how much they loved the old band. Stay with me here. I
changed only a few key details from a Van Halen 3 review I found online, and as
you can see it fits like a glove.
The "III" in
the title of Mortals III refers to the unveiling of the third incarnation of The
Mortals, the post-Steve the Tongue lineup featuring former Whiskey Daredevils
vocalist Greg Miller as lead singer. According to the party line, The Mortals
ditched Steve the Tongue because they wanted to try new musical and lyrical
approaches that The Tongue was reluctant to pursue. And it is true that Mortals
III makes a slight break from The Mortals dunderheaded party rock, but that's a
difference that only hardcore fans will be able to hear. Less tired but no more
inspired than Bulletproof, Mortals III suffers from the same problems as Miller-era
Whiskey Daredevils -- limp riffs, weak melodies, and plodding, colorless
rhythms. On top of that, there are layers of pretensions, from portentous
lyrics to segmented song structures that don't sound all that different from
"Trucker Bomb". That would be
a shame if Bill Grapes had a clear idea of where he wanted to take the band,
but he seems content to wallow in the big arena rock he has long since
exhausted, churning out faceless riffs and technically proficient guitar solos
that never expand the vocabulary he established 20 years ago. Mortals III may
showcase a new version of The Mortals, but that doesn't make it a new
beginning.
This, of course, creates a scenario where they have to go crawling
back to Steve, cave into some absurd demands he makes up on the spot because HE
CAN, and unhappily go back out on the road not wanting to be there in the first
place. I like the idea of those guys
traveling in two separate vans, everyone pissed off and no one excited about playing
songs from 1992s “Ritual of Sound”. It’s
how all rock and roll stories end anyway.
Guys that were thrown together by circumstance and chance while in their
20s are shackled together in their 50s to play soulless sets at Street Fairs
and Package Tours. Fuck yes! It’s like Weezer without the hits. All I have to do is help write 10 shitty
songs (which I can do in my sleep) and go on a painful Mortals III tour where
everyone hates me. After being mercifully cast off, I can
enjoy watching footage on my iPad of a sullen Mortals performance on a socially
distant side stage at Bonaroo 2023.
We all need dreams.
Are the whiskey daredevils booking for the summer of 2021, like OTTOfest. Just started reading the return of sherlock holmes, no relation. OK, but murder solves nothing. Holmes solves everything, but not always on time.
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