Nurse the Hate: The New Hemingway Plan
I have been busying myself re-reading some Hemingway novels,
which always leads me to wonder why well-mannered European waiters aren’t
obediently fetching me whiskey and Perrier that I can leisurely sip under the
brilliant skies of the Cote d’Azur. Instead
I am thinking about buying a Bud King Can at a gas station with bulletproof
glass service window for my drive home in traffic under gun metal gray skies. Such is the danger of immersing yourself in
the prose of Hemingway. It’s a world of
individuals that spend their days seeking amusements leisurely and then
relaxing for exotic drinks at the drop of a hat. No one appears to have a real job or source
of income with the exception of fleeting mentions of trust funds back
East. It’s really a world I could get
comfortable in and frankly excel.
I don’t know if I can somehow become a 1920s novelist. Is that a job listing on Monster.com or do
you just start hanging out in cafes and discussing “your work”? I can do the Hemingway thing. I just need to put a modern reference in now
and then. “He walked across the street to the BW3 and it
was windy and cold and when the door swung open they looked up from their
Buffalitos. She sat alone at a table
with a draft beer in a plastic cup with hair that smelled of the Plains of
Africa. She didn’t look up. “I told The Colonel that I hate your
writing. He needed to know you are nothing.” He ordered a beer and ate the garlicky
chicken wings brought by the expressionless fleshy waitress. The beer was cold. They went back to his room and made love like
they had in Vitoria after the fiesta.
She shuddered as God brushed past her.
“I hate you. Come and take me
again.” It was different this time and
she cried and he walked to the window to stare out at the moon. They slept.”
The stuff writes itself.
I think I would really enjoy sitting at cafes all day,
getting together with other dudes that do basically the same thing I do, and
then arguing about the merits of what we were writing. I could go to artist enclaves and act distant
and aloof. Socially I will become much
more unpredictable. I foresee having all
kinds of destructive sexual liaisons with women that are financial benefactors,
treating them horribly, and then pretending none of it matters at all because of
some sort of vague ever changing dogma.
I will be involved in fistfights with publishers and literary agents because
I doubt their artistic purity, or perhaps I am just in need to create some type
of protagonist drama. I will argue with
everyone about everything from any point of view, but only when blindly drunk
on whiskey. Otherwise I will be silent
and quietly judgmental in my gaze.
I will travel to distant glamorous destinations for the sake
of “my work”. At each location I will
make myself a self-important cog in the artistic community, quickly establishing
myself as the judge of artistic worthiness of others despite not really
producing anything tangible myself. I
will need to find apartments in Berlin, Morocco, Marseilles, and Buenos Aires,
none of which I will ever pay for or even attempt to pay for in any
manner. I will drift around with my
posse of other dudes, all of us convinced we are some sort of quasi Beat
Generation on a new Moveable Feast. The
real trick will just to be able to sell it into a few key social kingmakers so
we can enjoy this Beatnik Rogue Drifter lifestyle. We will need hangers-on to pay for meals,
drinks, etc. and that can only come from the heads of some key social circles
giving us breathless endorsement so their minions will open their wallets.
Eventually I will produce a novel that is either incomprehensible
or so simple it appears to have been written by a third grader. In either case, I and my brethren will hail
it as “genius” and we can keep our globetrotting lifestyles intact. I may need to call on some of you to testify
to my “genius” from time to time, but please know up front that I will allow
you to absentmindedly smoke cigarettes on my terrace at my villa in Cadiz. If you hang out long enough, you can start to
reference your own “work” and then become part of the gang too. It’s a good plan. It’s a wise plan. It’s a plan whose time has come.
5 Comments:
I'm in.
You'll be a very important painter that refuses to show his work. Welcome.
I have the guns and a shitty attitude. Do I qualify?
It's all attitude and it should be presumptive.
Frank, that's why you are part of the inner circle.
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